Resultados "cinema"
Mobile creation in communication studies and the challenge of its adoption in higher education
In the audio-visual industry it is increasingly common to find professional productions created with mobile devices, mobile journalism continues to grow, the smartphone market places increasing emphasis on camera quality and mobile cinema (created with smartphones) is more relevant every day. Yet despite this change at the industry level, the study ‘Apps4CAV’ reveals that future audio-visual creators receive no training in the use of mobile devices as part of their university courses.
Music in the theoretical cinematographic and audiovisual apparatus
This article aims to describe the state of the art regarding the status of music in cinematographic and audiovisual theory. We investigate the space that theory has given to music in its theoretical apparatus from a synchronous point of view. A survey of the general state of the discipline is made, describing the two paradigms of the image-music relationship detected in the bibliography and also referring to some of the theoretical paradoxes that arise in the image-music link.
The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film
Despite traditionally having been studied within the field of Musicology, the analysis of music in film should be approached as an aesthetic study of the relationship between «image» and «music» which is central to the cinematographic framework. From this interdisciplinary perspective numerous theoretical and methodological issues emerge.
New publications on music and images
Dr. Josep Torelló, a researcher at the LMI and a professor at the Center for Image and Multimèdia Technology (CITM) at UPC, has published two articles last December.
VI Communication Research Congress
Three LMI researchers have participated as speakers at the VI International Congress of Communication Research Methodologies organized by the Department of Applied Communication Sciences, GECA and the Faculty of Information Sciences of the Complutense University of Madrid from 5 to 7 of November.
Recreando el fotorrealismo: la consultoría visual del director de fotografía Roger Deakins en Wall-E
The rising dominance of CG film techniques in the early 2000s has led to an interesting artistic canon shift in animated commercial feature films produced in the US. Although Hollywood 2D animation always flirted with the photorealist
'Informe general' (1976) de Pere Portabella: un estado de la cuestión cinematográfica sobre la Transición española
This article tries to put in the historical context of the modern cinema part of the filmography that the Catalan director Pere Portabella (Figueres, 1927) developed, between 1967 and 1976, under the dictatorship of General Franco. In this period, Portabella built a cinematic form that may be considered to fall under cinematographic modernity which aims to subvert the foundations of the Institutional Mode of Representation. The author provides an avant-garde film corpus characterized by its formal and aesthetic subversions, as well as the presence of a strong political thematic.
Women and Cinema conference
The first Women and Cinema Conference of the Uvic-UCC has been the starting point of an inter-university project that, under the name MYC Project (Mujeres y Cine), will bring together researchers from different universities and institutions focused on the study of women in the film industry. The LMI-Uvic is part of this project represented by Dr.
Con A de Animación
"Recreando el fotorrealismo: la consultoría visual del director de fotografía Roger Deakins en Wall-E" is a new article by Samuel Viñolo and Rafael Suárez published at Con A de Animación.
